-Mr. Kobayashi, please tell us about your encounter with Columbia's fishing vests.
Kobayashi. the first time I got a fishing vest was back in the 80's. I saw Joseph Beuys, a contemporary art artist, wearing a fishing vest and thought it looked cool, so I wanted to get a similar one. I went to a fishing tackle shop and looked at a variety of manufacturers, and found that Columbia's fishing vests were of exceptional quality, with solid 60/40 cloth, cushioning to relieve pressure on the shoulders, and numerous pockets. So, I bought that vest right away. . it was the first of many fishing vests in my collection.
-How did you wear it at the time?
Kobayashi. I don't fish, so I wore it only as street wear. Fishing vests with lots of pockets are great luggage wear for carrying things around. . So when I was traveling overseas, I used to stuff my stuff in the pockets all the time. At the time, there was no style of incorporating such clothing into daily life, so I was often approached by fishing enthusiasts on the street (laughs).
-What is it about Columbia's fishing vests that has attracted you so much to collect them?
Kobayashi: This garment is a collection of unusual details, so to speak. What is the purpose of this part? , "How is this pocket used?" . These questions come up one after another as you look at it. A door to the extraordinary or to another dimension is opened in a piece of clothing. In other words, it is a piece of clothing with a fantasy. That, for me, is the greatest appeal of Columbia's fishing vests. . Not only are the details interesting, but the product as a whole has a wonderful degree of perfection. Such thorough craftsmanship would not be possible without the technology and experience accumulated over many years, and the pride that goes into making a good product. In this respect, I am also attracted to the company Columbia itself.